ENG | ITA

User’s Manual for Run-Ups

Issue #2

JUNE 2026

Notes for a preliminary study aimed at creating a practical guide to what might be useful to know beforehand


It can happen that you get lost.

It can happen that you get lost even before you start getting lost.

It can happen that you get lost between saying and doing.


The run-up is that moment of standing on the threshold before the impact, before an event, a regime change or a shift in opinion regarding wine or aubergines.

It is about taking a step back: to see the horizon, space and time more clearly.

It is about seeking the whole, by isolating oneself, only to then be able to run into or through it.

It is the analysis of that suspended moment: before a “before” and before an “after”, perhaps even after an “after”, though this is neither assured nor advisable.

These notes, gathered during an unspecified period of research, focus on that act of withdrawing and stepping back from common dynamics, in order to realign oneself through an inner evolutionary shift; perhaps seemingly invisible, or perhaps sparkling, gigantic, cumbersome, or light, but always involving a shift.

The active preparation that leads up to a departure point is therefore taken into consideration. It need not necessarily be a specific number (the starting point), nor does it have to be clear and defined.


[fig. 1] (Readers on mobile phones should be aware that the images have landed at the bottom of the page. They are precisely where they want to be. Readers on computers should keep in mind that the images can: keep you company, distract from stopwatches and foreshadow digressions. They are precisely what they want to be)


CONTEXT


The compilation of a guidebook proved to be a useful way of keeping track of what had been learned and collecting all the information gathered during the exploration of the run-up profession.

This research, in fact, is part of a larger orchestration of a highly serious, fictitious PhD project set in the context of subjectivity and work; it explores human identity as a precarious entity in a system obsessed with productivity. The project shifts the focus away from work performance as a measure of personal worth and instead turns its attention to aspects often considered trivial, such as error, distraction, curiosity and breaks, viewing them as aesthetic and cognitive material. The research explores a constellation of “anonymous professions”, imaginary and marginal occupations conceived as poetic-performative devices that bring to light hidden dimensions of the relationship between identity and work. These investigations give rise to transmedia and analytical practices (performative activities involving photography, video, installations, web pages, digital archives and participatory events) combining theoretical research with artistic production.

The research adopts a meta-critical perspective on the doctoral framework, based on Derrida's deconstruction and a post-qualitative approach, in order to examine academic protocols and metrics. The doctoral candidate maintains a positional stance [1], becoming both the subject and object of the study [2]. Artistic practice is adopted as a vehicle for knowledge [3], a way of rethinking the relationship between identity and work, highlighting inactivity, play and failure as fundamental aspects of subjectivity. The following article, written in January 2025 for the Root§Routes magazine, provides a more detailed account of the research behind this aleatory doctorate:


Root§Routes Magazine - Relazione sull'avanzamento di Relazione sull’avanzamento di ricerca della coesistenza tra l’effimero e l’umano attraverso il suo riconoscimento per mezzo di quella condizione identificativa chiamata lavoro

(it is not necessary to read this; it is simply to give readers the opportunity to torture themselves a little further with other crystallised imaginings of mine)


Anonymous professions question not only human labour, but also its centrality within hierarchies of gender, class and background, challenging established roles and performance standards, drawing on what “still is” a potential and transcending the myth of immediate productivity.

The run-up is not universally recognised as productive; on the contrary, it is often taken for granted; it frequently risks not being properly safeguarded, and people are unprepared to be part of it (the run-up), being pulled in different directions by various hyper-performative pressures.


METHODOLOGY

So far, the research has produced partial results (and nothing more), several dead ends and no definite conclusions. This collection of findings does not represent an absolute truth, but merely a set of notes on what has been observed during a period of sporadic research. The information may prove useful; it can certainly be expanded and improved. For the time being, this preliminary study is being offered carefree.

A run-up is a common practice. The doctorate itself is a run-up. Looking back in order to move forward, gathering energy, becoming aware of the horizon of one’s feelings and of past and inner ambitions, as well as of other landscapes (which inevitably surround every run-up, whether one likes it or not). One set of things that will not be analyzed here concerns what is and is not a run-up; that is personal business and it’s is better not to go there.

This is only a preliminary study for designing a user’s manual for what anyone may recognize as a run-up. Manuals usually come with rules and conventions meant to reduce friction in reading, but friction also needs protecting (friction), because it is precisely that thing that charges the leap at the end of the run-up (still talking about the friction).

The sections into which the following notes are divided are therefore meant to guide, vaguely, the interpretation of the indomitability of run-ups.

There is also the figure of the Supervisor, invented yet invasive, whom I have tried to ignore here out of spite and rebellion after his swaggering disappearance over the past few weeks, justified by a: “…you’ll manage, just remember the third person…”.


PURPOSE – To identify the run-up

A run-up is made up of a certain number of backward steps, sometimes without turning around, in order to gather energy, momentum.

A useful figure for understanding it is a coil spring; once compressed, it converts and releases energy. The spring’s run-up allows it to exist as a “spring”.

Quite a few similarities have been observed (abstract ones too, let’s admit it, but no less true for that) with artistic research and perhaps with research in general. The idea of the spring is especially close to the PhD research that has been staged as described above (thinking about it even more carefully, the PhD research can also be part of one great run-up - exploration after exploration and rethinking after rethinking). Even if there were a desire to hand yourself over permanently to a “job” - the kind you can end up in without any run-up, by guaranteed inertia, and that can secure “adulthood” with very little effort - it has still become clear that a run-up is necessary. It is needed to make it truly credible, as fiction (that “job” as understood above). So these notes piled up here may as well be given a chance.


Within a broader spectrum, the wider basin of human culture holds the residues of every being’s run-ups. Useful pieces of information that help with orientation even when they do not offer complete answers.

A digression could be made here on the question of human legacy; a digression could indeed be made. It is not the case. It was, but it no longer is. Anyone interested should ask the leaves, great examples of generational turnover, aware of the perishability of time and of the weight they bear for one another and for the rest of the biocenosis, even after their abscission from the shrub to which they belonged (digression carried out with some success, it would seem).

For the following sections, the advice of totemic figures – people and not only people – was taken on board; suggestions and visions were absorbed from them, then reworked and arranged in the form of a list.

Advices of totemic figures - people and not only people - was taken on board, absorbing suggestions and visions along the way. In the following sections, the notes from these pieces of advice are presented as lists, in a vaguely scattered order.


[fig. 2]


RISKS AND AMBIGUITIES – To guard against the distortions of the run-up



Digression that will turn out to be legitimate close to the end:

Another dynamic that may make the Supervisor angry is the further use of a hyperlink (it is not even the last):


Excuses to not go to war


This is a website designed in 2022 to investigate the job of apology. The run-up had probably already ended, but it was prolonged out of insecurity and fussiness. Although it once provided excellent excuses for not going to war - finely worked out, and appropriately attuned to the cultural baggage of the undersigned and of a faithful excuse-smith collaborator - they now come across as confused and tired. Technological changes and other, more urgent run-ups have blurred and distanced this run-up. In the meantime, it has become no longer quite so necessary, no longer in that form.

Too much run-up was taken. Without knowing when would have been enough. Everything fell apart before the beginning. Now the site needs to be reconsidered and another, more imposing, run-up must begin in order to realign with new questions around the job of apology.


SUGGESTIONS – To understand oneself within the run-up


A digression, now indispensable, on the slingshot:

A slingshot can be built by hand according to your own needs and it will not be described here, for reasons of inconvenience, ignorance, and a lack of presumption about how to assemble an object in order to launch yourself so intimately.

The slingshot helps focus on a specific target, with finer precision regarding which part of yourself you want to project elsewhere. It can therefore be used either by taking a run-up one piece of yourself at a time, or by catapulting one element ahead on reconnaissance and seeing how it reacts, in order to understand what to do next.









[fig. 3] 


SUCCESS CRITERIA – For noticing when the run-up is enough



[fig. 4]


CONCLUSIONS


This final section of the article is contradictory. It does not really come to a conclusion.

There is not enough data to declare the matter closed, to determine when a run-up is sufficient, and to begin writing a proper “User's Manual for Run-ups”.

The missing information is substantial and essential, and there is too much at stake to ignore this aspect. The manual is not yet ready to be written, and it is unclear whether it will ever be.

Therefore, readers are asked to take a closer look and contribute their own insights on the run-up, so that we can collectively gain a better understanding of when a run-up is successful (while remaining aware that there is never an end to run-ups):


[Google form for sharing your own method for seeing the end of the run-up]


Notes will continue to be collected and will remain in this form until further notice; they will never become rules or dogma. Unfortunately, and thankfully, only a few of the exact words needed to make reality clear are known.


For now, the only clear fact is that between saying and doing lies a vaguely planned run-up, so as to get lost more consciously (even at sea).


Footnotes

[1] Cimoli, A. C. e Tollari A. FARE MONDI. Tra ricerca e fabulazione. roots§routes magazine, https://www.roots routes.org/anno-15-n-47-gennaio-aprile-2025-fare-mondi/

[2] Derrida, Jaques (2002). L’università senza condizione. Raffaello Cortina

[3] Lather, P., & St. Pierre, E. A. (2013). Post-qualitative research. International Journal of Qualitative Studies in Education, 26(6), 629–633. https://doi.org/10.1080/09518398.2013.788752


NOTES

a. When slingshots were mentioned, this did not refer to drugs or partisan guerrilla chants, but at most to acts of vandalism involving involving the triggering of mould spores and seeds;

b. When inner things were mentioned, what was meant were things to care for, not things to be cured from;

c. The extensive use of parentheses will provoke the Supervisor’s wrath: he cannot bear them when they are used as a manifestation of the subconscious (…);

d. The images were all conceived, photographed, post-produced and selected with the approval of all the skies featured in the backgrounds;

e. If one really wishes, given that the answers are not yet available – and perhaps never will be – question marks may be added to each point on the various lists. It is a game that may open up other perspectives; perhaps it will lift a few veils;

f. The run-up of the waves and of the sea has not been taken into consideration, so far: reference may be made to the great example of delicate irreducibility that is the white tide, protagonist of countless powerful run-ups;

g. There is a bibliography, but it is posthumous, arbitrary and brief, a sort of reading list to be consulted while preparing for a run-up. In such cases, it is best to issue a warning;

h. Goodbye, so be it;


BIBLIOGRAPHY

Agamben, Giorgio, Il regno e la gloria (Neri Pozza, 2007)

Balestra, Filippo, Diario involontario (Tic Edizioni, 2022)

Baudrillard, Jean, Perché non è già tutto scomparso (Castelvecchi, 2013)

Benni, Stefano, La compagnia dei celestini (Feltrinelli, 1992)

Berardi, Franco “Bifo”, L’anima al lavoro. Alienazione, estraneità, autonomia (DeriveApprodi, 2016)

Bourriaud, Nicolas, Postproduction (Postmedia Books, 2004)

Cressy, Marine, Piccola Flora del Viandante (L’ippocampo, 2021)

Cheng, Ian, Fare mondi. Vademecum per emissari (Timeo, 2024)

Derrida, Jacques, L’Università senza condizione (Raffaello Cortina editore, 2002)

Fromm, Erich, Avere o essere? (Mondadori, 1976)

Clèment, Gilles, Manifesto del Terzo paesaggio (Quodlibet, 2004)

Han, Byung-Chul, Contro la società dell’angoscia (Einaudi, 2026)

Kandinsky, Wassily, Lo spirituale nell’arte (SE editore, 1912)

Laplante, Myriam, A Study of the Phenomenology of Doubt… (Colli Independent, 2016)

Merleau – Ponty, Maurice, L’occhio e lo spirito (SE editore, 1964)

Munari, Bruno, Le macchine di Munari (Einaudi, 1942)

Pasqualotto, Giangiorgio, L’estetica del vuoto (Marsilio, 2001)

Ukeles, Mierle L., Manifesto for Maintenance Art (1969)



Cosimo Mollica

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